In my doctoral thesis, Vocal Figurations (2020), I theorize and analyze voices in 21st-century pop music through the lenses of vocal technique, studio technology, and electronic mediation. Examining their material-discursive figurings in processes of voicing and listening, I study the roles of these dimensions in the vocal signalling of gender as its intersects with other vectors of social identity.
Keywords: musicology voice pop music gender feminist perspectives media technology gender and technology
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