Associate professor at the Department of Social and Economic Geography, Uppsala University (also affiliated to CIND).
Akademiska meriter: Docent
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Johan Jansson is an associate professor (universitetslektor/docent) at the Department of Social and Economic Geography at Uppsala University, and also affiliated to CIND (Centre for Research on Innovation and Industrial Dynamics).
His research interest is within economic geography with a theoretical focus on the spatial organization of economic activities such as agglomerations, local-global linkages, knowledge and knowledge flows, creative (urban) milieus and socially and spatially embedded processes of values e.g. quality, branding, curation and entrepreneurship. Empirically his focus is on for example different cultural industries (e.g. design, music, arts), the internet industry, local milieus, urban and regional development.
Johan is involved in planning, administrating and teaching at various courses at the Department of Social and Economic Geography and the Masters Program in Socio-Technical Systems Engineering as well as Supervising students at undergraduate and PhD levels. Johan has expertise in coordinating large projects, conducting interviews, surveys, and qualitative data analysis. Additionally, he also does talks and presentations at conferences, events and other contexts.
“Intermediation, place and value creation: Exploring the processes and spaces of ‘curation’”. By linking producers and consumers, intermediaries such as brokers and gatekeeper have always been important market actors. Yet, the processes and spatial dynamics of intermediation are evolving in the face of globalization and digitalization. In saturated markets where consumers are overwhelmed by product information and choice, a growing range of specialized intermediaries called curators help to evaluate subjective product qualities and ascribe value to specific products. Curation is vital to contemporary markets but its specific mechanisms, actors and spaces remain poorly understood. This project will nuance our understanding through rigorous empirical analysis of 3 Swedish industries: art, music and hi-fi equipment. It will address four interrelated questions: What is curation and what forms does it take? What actors perform curation? Where does curation occur and what is the relationship between space and curation? How are value(s) created and communicated through curation? The research will include a statistical analysis and in-depth interviews with intermediaries and key informants in each of these industries. Ethnographic and ‘netnographic’ observations of key spaces of curation including retail shops, art galleries, consumer fairs, blogs and online forums will be conducted. The project will contribute to a growing area of cutting-edge theory that emphasizes the complex socio-economic geographies of how value is created in the globalized economy. The research project is funded by Riksbankens Jubileumsfond (RJ).
”Culture, creativity and economy”. This program will study the conditions for creativity and development in Sweden’s cultural and creative industries: their geography, creativity, and journey to market. The program aims to support a group of researchers with an internationally competitive track record of research in the field of cultural economy in general and the geographic conditions for cultural industries in particular. It aims to provide an already strong research group the freedom in time, resources and choice of research area to develop our long-term ambition to create Europe’s leading milieu for the study of the cultural industries at Uppsala University. Our aim is to contribute to a better understanding of the conditions for the functioning, creativity and sustainability of cultural and creative industries. These activities once thought of as little more than pleasant distractions or ephemeral aspects of a nation’s social life have grown to be important and dynamic industries: whose business conditions and work processes demand serious and critical research. While taking our point of departure in the creative and innovative performance of workers and firms, we also pay attention to the role of individuals as well as the geographies, districts and milieus where creative individuals and firms seem to thrive. The research project is funded by Vetenskapsrådet (Swedish Research Council) – ‘Rambidrag för kulturforskning.
“The changing role of intermediaries as curators in virtual, physical and temporary spaces for value creation”. Project description: In the face of globalization and digitalization, the contemporary marketplace is characterized by an almost infinite choice for consumers and intense competition for producers. As a result, the need for intermediation has become evermore important for understanding, filtering and evaluating information guiding consumers and ultimately for value creation (economic, symbolic as well as cultural). This project will study a growing range of specialized intermediaries, ‘curators’, which help to evaluate subjective product qualities and ascribe value to specific products. Empirically, the project will focus on 3 industries heavily reliant upon such middlemen: the Swedish music industry, Swedish high-end consumer electronics, and European premium leather footwear. It aims to a) provide a theoretical understanding of curation and the forms it takes, b) analyze its actors and networks and their role for value creation, and c) examine its global network linkages and spatial relations (virtual, physical and temporary). The research will utilize statistical data and methods but the primary method of case data collection will be in-depth semi-structured interviews with intermediaries and key informants. These will be further complemented with participant observation and ‘netnography’ of key spaces of curation, such as retail shops, online forums and trade fairs. The research project is funded by Handelsbanken and the Jan Wallanders and Tom Hedelius Stiftelse Tore Browaldhs Stiftelse.
Past projects (selected)
"Quality, competitiveness and regions". How can we explain the continued success of European craftsmanship against ever increased competition from high-tech but low cost countries? In this this project we explore the regional competition from the perspective that 'quality' is a central factor in firms' capacity to create and maintain international competitivness and in regions advantage and prosperity. The program examines the idea that by making and providing quality goods and services - that may be based on the latest technology or equally on age-old craft traditions - firms in high-cost regions may find a sustainable way of competing. The programme will be comprised of three distinct but related research areas: 1) Exploring how clusters of firms embedded in particular places influence the construction of quality 2) Examining how geographically embedded consumer groups, consumption networks and different markets influence the construction of quality 3) Studying the importance of local, national and global intermediaries in the construction of quality. Four different case studies will be made: traditional craftmanship in transition (wooden ships, glassblowing and stone masonry), online data on quality indicators, high quality audio/hi-fi electronics, and art market intermediaries. The research project is funded by Handelsbanken and the Jan Wallanders and Tom Hedelius Stiftelse Tore Browaldhs Stiftelse.
"Competitiveness through quality”. This project involves participants from three Nordic countries and universities. The overall aim of this research project is to investigate and conceptualize what ‘quality’ means for the industrial competitiveness of firms in high-cost countries. More specifically the aim of this project is to describe and analyze sectors where constructions of quality contribute to creating and sustaining international competitiveness. In our understanding quality is likely to have very specific spatial anchoring: i.e. that quality, just like innovation, depends upon spatial networks of industrial actors (organized in industrial systems or clusters) and spatially specific consumer groups subject to local cultures and systems of understandings. A second aim of the project is to improve and contribute to the existing body of theoretical knowledge in economic geography and related sub-disciplines (e.g. ehconomic sociology, institutional economics) by adding detailed studies of several industries from a different perspective to the stress on scientific research and technological innovation which is currently the orthodox/mainstream approach. The research project is financed by The Joint Committee for Nordic Research Councils for the Humanities and the Social Sciences (NOS-HS) and the funding of Nordic Collaborative Research Projects (NORDCORP).
“Art market intermediaries”. In this research project the Swedish art market is in studied through an economic geography perspective. The project highlight questions dealing with the construction of quality and value within socially embedded networks. Emphasis is put on the importance of local milieu and agglomeration/urbanization effects
“Creativity and Innovation in the Cultural Industries”. A research programme funded by Wallander/Hedelius Fund at Handelsbanken. In recent years there has been a growing awareness that music, film, media, video games and design are important areas of economic activity. These cultural or creative industries have grown to be important and dynamic industries, competitive exporters, and thriving employers. The overall aim of this research programme is to contribute to a better understanding of the industrial functioning, innovation system and competitiveness of the cultural industries. The programme adopts an economic approach, taking its point of departure in research on industrial competitiveness and transformation in general and modern research in economic geography in particular.
”The Image of the City - Urban Branding as Constructed Capabilities in Nordic City Regions”. The project involved participants from seven Nordic universities and research institutes and the topics treated in this project has to do with the study of phenomenon related to the city as a brand. In this project I was involved in producing the final report of the research project and writing an academic article, and participate in. 2005-06.
“Creative Directions - a framework for supporting the creative industries”. This Nordic research project was funded by the Nordic Innovation Center. My work consisted in organizing meetings and conferences for the international members of the project, participate in the research and involvement in the writing of the final report of the research project. The project involved participants from eight Nordic universities, ministries and research institutes. 2005.
“The Future in Design”. The work (funded by the Nordic Industrial Fund) consisted of research into the competitiveness and business dynamics of the design industry in Sweden with a special focus on the Swedish furniture industry. 2004.
”Behind the Music”. Funded by the Nordic Industrial Fund this was an international research project involving academics and industry representatives from all 5 Nordic countries. The work consisted of research into the competitiveness of the Swedish music and ICT industry. Apart from involvement in the final report, several conference presentations and one article in an international refereed journal resulted. The project was completed in 2003.
”The Internet Industry in Central Stockholm” (thesis project) A Study of Agglomeration Economies, Social Network Relations, and Information Flows [Internetbranschen i Stockholms innerstad – En studie av agglomerationsfördelar, sociala nätverksrelationer och informationsflöden]”. This thesis deals with questions concerning spatial agglomeration of economic activities. The object of study is the internet industry in central Stockholm. Through the use of statistical data and an interview study the Internet industry is described, measured, and analyzed through theories concerning agglomerations, social network relations, and knowledge and information flows. These theories are interpreted through five agglomeration themes related to the customers, subcontractors and partners, competitors, financing, and labour market, respectively. The research has recognized the importance of proximity to create and maintain networks, and to spread information and knowledge, especially tacit knowledge. The also shows how social networks, and information and knowledge flows have an essential in all the five agglomeration themes that are analyzed. The results of this analysis show the proximity to customers is the most important factor for the location of the Internet industry. Also, the local labour market and access to suppliers and partners are important factors. Competitors and rivals have a role to play when it comes to the diffusion of knowledge information, although its importance as a location factor is hard to estimate. The analysis the firms’ financing demonstrate that this factor hardly has been of crucial importance location of the Internet industry, but access to (venture) capital might have been of indirect importance for the location and the pace of the development of the Internet industry.
Journal articles, book chapters and monographs
2016 (forthcoming) “A framework for quality-based regional competitiveness” in Huggins, R. & Thompson, P. (eds.) “Handbook of Regions and Competitiveness”. Edward Elgar. (with Anders Waxell)
2016 (Forthcoming) “Death by Streaming or Vinyl Revival? Exploring the Spatial Dynamics and Value-Creating Strategies of Stockholm’s Independent Record Shops”. (Forthcoming in international refereed journal). (with Brian Hracs)
2016 “Musicians and temporary spaces: the case of music festivals in Sweden”. Forthcoming chapter in Hracs B., Seman M., & Virani, T. (eds) “How and where music is made, marketed, monetized and consumed in the digital age”. Routledge. New York. (with J. Nilsson).
2014 “Temporary events and spaces in the Swedish primary art market”. Zeitschrift für Wirtschaftsgeographie/The German Journal of Economic Geography). Vol. 58, No. 4. pp. 202-215.
2014 “Place-based brands: product origin, brand channels and global circuits” in Berg, P-O & Björner, E. (eds.) “Branding Chinese Mega-Cities: Policies, practices and positioning”. Edward Elgar. Cheltenham. (with Power, D. & Fan, X.).
2013 “Sound affects. Competing with quality in the Swedish hi-fi industry”. Industry & Innovation. Vol. 20, No. 4. pp. 316-335. (with Anders Waxell).
2011 “Quality and regional competitiveness”. Environment & Planning A. Vol. 43, No. 9. pp. 2237-2252. (with Anders Waxell).
2011 Constructing brands from the outside? Brand channels, cyclical clusters and global circuits. in Pike, A. (ed.) “Brand and Branding Geographies”. (with Dominic Power).
2011 “Emerging (internet) industry and agglomeration: coping with uncertainty”. Entrepreneurship and Regional Development. Vol. 23, No. 7-8.
2010 “Fashioning a global city: global city brand channels in the fashion and design industries, the case of Milan.” Regional Studies. Vol. 44, No. 7. (with Dominic Power).
2008 “Cyclical Clusters in Global Circuits: overlapping spaces and furniture industry trade fairs”. Economic Geography. Vol. 84, No. 4. (with Dominic Power).
2008 “Inside the Internet Industry: The Importance of Proximity in Accessing Knowledge in the Agglomeration of Internet Firms in Stockholm”. European Planning Studies. Vol 16, No. 2. pp. 211-228.
2008 ”Outside in: Peripheral cultural industries and global markets”. Chapter for “Mobility and Place: Enacting European Peripheries”. Edited by Bærenholdt, Jørgen Ole & Granås Brynhild (with Dominic Power).
2005 ”Internetbranschen i Stockholms innerstad – En studie av agglomerationsfördelar, sociala nätverksrelationer och informationsflöden” [The Internet Industry in Central Stockholm – A Study of Agglomeration Economies, Social Network Relations, and Information Flows].
2004 “The emergence of a post-industrial music economy? Music and ICT synergies in Stockholm, Sweden”. Geoforum. Vol. 35, no. 4. pp. 425-439 (with Dominic Power).
Reports, conference papers and reviews
2016 ”Only the strategic survive: Independent record shops in the digitial age”. Economy, Governence, Culture – Working paper 1/2016 (with Brian Hracs).
2015 “The Economic Geographies of Independent Record Shops in the Digital Age”. Presentation at the 4th European Colloquium on Culture, Creativity and Economy in Florens, Italy, October 2015.
2015 “What brings the bacon (?) – On the economic conditions of craftsmanship and creativity”. Invited speaker at the 4th European Colloquium on Culture, Creativity and Economy in Florens, Italy, October 2015.
2015 “Curation - Creating a 'digital handshake”. Paper presented at the Association of American Geographers AAG annual conference in Chicago, April 2015.
2015 “Temporary spaces and events: cyclical clusters and global circuits in the cultural industries”. Paper presented at the Association of American Geographers AAG annual conference in Chicago, April 2015.
2015 “I besökarens fotspår – Pilotstudie av besöksnäringen i Uppsala län”. Uppsala Universitet. 2015. (with Sabine Gebert Persson, Karin Ågren, Mikael Gidhagen, David Sörhammar).
2014 “Musicians and temporary spaces”. Paper presented at the 3rd European Colloquium on Culture, Creativity and Economy. Amsterdam, October 2013. (with Jimi Nilsson).
2014 “Musicians and temporary spaces: the case of music festivals in Swedish”. Presentation at the RGS/IBG conference in London, August 2014.
2013 “The gallery opening: The role of intermediaries and temporary spaces in the primary art market”. Paper presented at the 2nd European Colloquium on Culture, Creativity and Economy. Berlin, October 2013.
2012 “The art gallery and value creating processes: The role of intermediaries and temporary spaces in the primary art market”. Paper presented at the 1st European Colloquium on Culture, Creativity and Economy. Uppsala, October 2012.
2011 ”Kulturella näringar och lokalisering”. Gränsbrytning – Nyheter om regioner och regional utveckling i Norden. Nr. 8 2011.
2010 “Quality, space and regional competition: conceptualizing a 'quality model'”. CIND Research Paper 2010:1, Uppsala: CIND (with Anders Waxell).
2010 “Emerging industries and agglomeration: Internet industry entrepreneurs coping with uncertainty”. Paper presented at the Association of American Geographers AAG annual conference in Washington, April 2010.
2009 “Constructing Scandinavian design – cyclical clusters in global circuits” Paper presented at the Association of American Geographers AAG annual conference in Las Vegas March, 2009.
2008 ”Leva på kultur - Möjligheter och utmaningar för företagare och anställda inom kulturella näringar”. CIND Research Papers 2008:1.
2007 “Trade fairs in global circuits: polycentric networks of temporary clusters in the furniture industry”. Paper presented at the Association of American Geographers AAG annual conference in San Francisco April, 2007.
2007 “Avoiding risk in the cultural industries: urban proximity and entrepreneur logistics”. Paper presented at ’Creativity and Innovation in the Cultural Industries Workshop, Paris 11-12 January 2007’.
2007 Refereeing an application to the National Geographic Society. Matthew Zook “The Baltic Tiger: The cultural economy of the Estonian software cluster”.
2006 “Nordic Design for a Global Market – Policies for developing the design industry in the Nordic Region” (with Dominic Power and Mark Lorenzen). Report for the Nordic Council of Ministers Department of Cultural Policy. The project was conducted in cooperation with the Nordic Innovations Centre.
2006 “Image of the City – Urban Branding as Constructed Capabilities in Nordic City Regions” (with Dominic Power). Report for the Nordic Innovation Centre.
2006 “Creative Directions – a Nordic framework for supporting the creative industries” (with Dominic Power). Report for the Nordic Innovation Centre.
2004 “Review: Voices from the North: New Trends in Nordic Human Geography”. European Planning Studies. Vol. 12, No. 6. pp. 906.
2004 “The Formation of Hidden Information – The geography of the Swedish Internet industry”. Paper presented at the Association of American Geographers AAG annual conference in Philadelphia, March 2004.
2004 ”The Future in Design: The competitiveness and industrial dynamics of the Nordic design industry”, Power et al. Report for the Nordic Innovation Centre.
2003 “The emergence of a post-industrial music economy. Music and ICT synergies in Stockholm, Sweden”. Paper presented at the Association of American Geographers (AAG) Annual conference, New Orleans, March 2003 (with Dominic Power).
2003 “Behind the Music: Profiting from Sound: A Systems Approach to the Dynamics of Nordic Music Industry”, Power et al. Report for the Nordic Industrial Fund.
2001 ”Internetbranschens ekonomiska geografi – Lokal arbetsmarknad ur ett agglomerationsekonomiskt perspektiv”. Memorandum for the thesis, Department of Social and Economic geography, Uppsala University.
2000 ”Musikindustri i Malmö och Hultsfred – En studie av två lokala produktionsmiljöer” [The Music Industry in Malmö and Hultsfred – A case study of two local milieus of production]. Arbetsrapport 395, Kulturgeografiska institutionen, Uppsala universitet. (Magisteruppsats).
1998 ”Populärmusik och lokala produktionsmiljöer – Eskilstuna, en del i ett musikindustriellt produktionsnätverk” [Popular Music and local milieus of production – Eskilstuna, a part of a production network within the music industry]. Arbetsrapport 290, Kulturgeografiska institutionen, Uppsala universitet. (Kandidatuppsats).
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